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KOLLEKTIVNYE DEYSTVIYA (COLLECTIVE ACTIONS)

BOOKKEEPING

COLLECTIVE ACTIONS GROUP’s INDICES

CA’s Indices (rankings) are an attribution of action authorships.

The value of indices:

6 - For the authorship of a plot with no co-authors

4 - For the authorship of a plot with a co-author

2 - For co-authorship in the development of a plot

1,5 - For the largest efforts in the preparation and realization of an action

1 - For substantial assistance in the preparation and execution of an action

0,5 - For help in preparation and execution of an action.

1. APPEARANCE

Monastyrski- 4, Rubinstein, Alekseev- 1,5, Kizevalter- 0,5.

2. LIEBLICH

Monastyrski- 6, Alekseev- 1, Kizevalter- 0,5.

3. THE TENT

Alekseev- 6, М.К., Monastyrski- 0,5, Kizevalter- 0,5, Panitkov- 0,5, Miturich-Khlebnikova, St. Andrae.

4. SLOGAN – 1977

Monastyrski- 4, Miturich-Khlebnikova, Alekseev- 1,5, Kizevalter- 0,5, Panitkov- 0,5, М.К., Abramov.

5. BALLOON

Monastyrski- 6, Alekseev- 1,5, Kizevalter- 1, L. Veshnevskaja, Abramov, М.К., Miturich-Khlebnikova.

6. COMEDY

Monastyrski- 4, Miturich-Khlebnikova. , Panitkov- 1,5, Alekseev- 0,5.

7. THE LANTERN

Monastyrski- 6, Alekseev- 1,5, { Kizevalter- 1,5 for “Lantern” in Yakytia }.

8. SLOGAN – 1978

Monastyrski- 6, Alekseev- 1,5, Javorski, L&V. Veshnevski.

9. THE THIRD VARIANT

Monastyrski- 4, Miturich-Khlebnikova, Panitkov- 1,5, Alekseev- 0,5, М.К.

10. TIME OF ACTION

Monastyrski- 6, Alekseev- 1, Panitkov- 1,5, Abramov, Miturich-Khlebnikova.

11. PICTURES

Monastyrski- 6, Alekseev- 1,5, Panitkov- 1, Javorski.

12. PLACE OF ACTION

Monastyrski- 6, Makarevich- 1,5, Alekseev- 1,5, Panitkov- 1, Elagina- 1.

13. FOR N. PANITKOV

Monastyrski- 6, Alekseev- 1, Elagina- 1,5, Romashko- 1, Makarevich- 1, Javorski.

14. FOR A. MONASTYRSKI

Panitkov- 6, Alekseev- 1,5, Elagina- 1, Makarevich- 1, Romashko- 1, Javorski, М.К.

15. FOR G.KIZEVALTER ( Slogan-80)

Monastyrski- 6, Alekseev- 1,5, Elagina- 0,5, Panitkov- 0,5, Romashko- 0,5, Javorski, Makarevich- 0,5.

16. PLAYBACK

Monastyrski- 6, Romashko- 1,5, Panitkov- 1,5, Alekseev- 0,5, Kizevalter- 1, Makarevich- 0,5, Elagina- 0,5.

17. TEN APPEARANCES

Monastyrski- 6, Kizevalter- 1,5, Romashko- 1, Alekseev- 0,5, Elagina- 0,5, Makarevich- 0,5.

18. GAZING AT THE WATERFALL

Panitkov- 6, Monastyrski- 0,5, Alekseev- 0,5, Kizevalter- 0,5, Romashko- 0,5, Makarevich- 0,5, Elagina- 0,5.

19. ENCOUNTER

Makarevich- 4, Elagina- 2, Alekseev- 0,5, Kizevalter- 0,5, Romashko- 0,5, Kozlov.

20. FOR N.ALEXEEV

Monastyrski- 6, Panitkov- 1,5, Romashko- 1, Kizevalter- 0,5.

21. SOUND PERSPECTIVES OF A TRIP OUT OF TOWN

Monastyrski- 6, Makarevich- 1,5, Kizevalter- 1, Romashko- 0,5, Javorski, Panitkov- 1,5, Elagina- 0,5, М.К.

22. THE STOP

Monastyrski- 6, Alekseev- 1,5, Panitkov- 0,5, Kizevalter- 0,5, Romashko- 0,5.

23. EXIT

Monastyrski- 6, Kizevalter- 0,5, Romashko- 1, Alekseev- 1,5, Panitkov- 1,5, Elagina- 1.

24. GROUP – 3

Monastyrski- 6, Kizevalter- 1,5, Panitkov- 1, Romashko- 1, Alekseev- 1.

25. THE DARK PLACE

Monastyrski- 6, Kizevalter- 1, Romashko- 1, Alekseev- 1.

26. DIVISION

Monastyrski- 6, Alekseev- 1,5, Kizevalter- 0,5, Javorski, Makarevich- 0,5, Elagina- 0,5, Т. Blaudo.

27. JOURNEY TO THE COUNTRYSIDE FOR THE THIRD SILVER BALL FOR SABINA

Monastyrski- 6, Kizevalter- 0,5, Witte, Haensgen- 1.

28. SILVER TORUS

Monastyrski- 6, Panitkov- 1,5, Makarevich- 1, Kizevalter- 0,5.

29. “M”

Monastyrski- 4, Panitkov- 2, Makarevich- 0,5, Letov, Elagina- 1, Т. Blaudo, М.К., Alekseev- 1, Javorski, V. Goncharova.

30. REPRESENTATION OF A RHOMBUS

Panitkov- 4, Monastyrski- 2, Romashko- 1,5, Alekseev- 1,5, Makarevich- 0,5, Elagina- 0,5, Kizevalter- 0,5, М.К.

31. DESCRIPTION OF AN ACTION

Monastyrski- 6, Romashko- 1,5, Makarevich- 0,5, Kizevalter- 0,5, Elagina- 0,5, Panitkov- 1, I. Kabakov.

32. MUSIC WITHIN AND WITHOUT

Monastyrski- 6, Panitkov- 1,5, Letov, Romanova, Kizevalter- 0,5, Romashko- 1.

33. THE SHOT

Panitkov- 4, Monastyrski- 2, Летов, Kizevalter- 1, Makarevich- 0,5, Romanova, Staheeva.

34. RUSSIAN WORLD

Monastyrski- 6, Romashko- 1,5, Elagina- 1, Kizevalter- 1, Makarevich- 1, М.К.

35. VOICES

Monastyrski- 6, Romashko- 1,5.

36. TRANSLATION

Monastyrski- 6, Haensgen- 1,5, Romashko- 1,5.

37. JUPITER (4.33)

Monastyrski- 6, Romashko- 1,5, Летов, Haensgen- 1,5, Kizevalter- 1, Jrno, М.К., Sorokin.

38. THE BARREL

Monastyrski- 6, Kizevalter- 1,5, Romashko- 0,5, Makarevich- 0,5, Elagina- 0,5,Haensgen- 1, Panitkov- 0,5.

39. DISCUSSION

Monastyrski- 6, Kizevalter- 1,5, Eremina, Makarevich- 0,5.

40. THE WINCH

Panitkov- 4, Monastyrski- 2, Elagina- 1,5, Makarevich- 0,5, Kizevalter- 1, Salnikov.

41. THE SCORE

Monastyrski- 6, Romashko- 1,5, Letov, Makarevich- 1,5, Elagina- 1, Panitkov-1.

42. TAXI

Monastyrski- 6, Elagina- 1,5, Makarevich- 1,5, Panitkov- 1,5, Eremina, V.Mironenko, Bakstein, Leiderman.

43. DISCUSSION–2

Monastyrski- 6, Makarevich- 1,5, Elagina- 1,5, Panitkov- 0,5, Kizevalter- 0,5, Romashko- 0,5, Bakstein.

44. THE BOOTS

Panitkov- 6, Monastyrski- 1,5, Makarevich- 1, Kizevalter- 1, Romashko- 1.

45. SLOGAN–86

Monastyrski- 6, Panitkov- 1,5, Kizevalter- 1,5, М.К., Nahova.

46. BEHIND C.A.

Panitkov- 6, Monastyrski- 1,5, Makarevich- 1,5.

47. PRESSING THE ROTTEN SPOTS OF THE GOLDEN NIMBUS

Makarevich- 4, Panitkov- 1,5, Monastyrski- 2.

48. AN ARTWORK – PAINTING

Monastyrski- 4, Makarevich- 2, М.К., Elagina- 0,5, Kizevalter- 0,5, Panitkov- 0,5, Kozlov.

49. BEHIND C.A. - 2

Monastyrski- 6, Panitkov- 1,5, Makarevich- 0,5, M.Tupitzyn, Nahova.

50. FOR V. NEKRASOV

Monastyrski- 6, Panitkov- 1,5, Osipova, Makarevich- 1,5, Haensgen- 1,5.

51. THE SECOND PICTURE

Monastyrski- 6, Kizevalter- 1,5, Panitkov- 1, Elagina- 1, Makarevich- 0,5, M Chuikova, St. Andrae.

52. THE INTERVALS

Panitkov- 4, Elagina- 2, Monastyrski- 1, Kizevalter- 1, Haensgen- 1.

53. FOR I. MAKAREVICH

Monastyrski- 5, Kizevalter- 2, Elagina- 1,5, Romashko- 1,5, Panitkov- 1,5, Haensgen- 1,5.

54. FOR E. ELAGINA

Haensgen- 4, Monastyrski- 2, Panitkov- 1,5, Kizevalter- 1,5, Makarevich- 0,5.

55. FOR S. ROMASHKO

Haensgen- 4, Monastyrski- 2, Makarevich- 0,5, Elagina- 0,5, Kizevalter- 0,5.

56. FOR S. HAENSGEN (The Slogan-89)

Monastyrski- 6, Kizevalter- 1,5, Elagina- 1,5, Nahova.

57. AUDIENCE TRANSLATION

Panitkov- 4, Monastyrski- 2, Romashko- 1,5, Elagina- 1,5, Makarevich- 1, Kizevalter- 0,5

58. THE TENT – 2

Monastyrski- 6, Panitkov- 1,5, Haensgen- 1,5, Kizevalter- 0,5.

59. STROLLING PEOPLE AT THE DISTANCE ARE THE ODD ELEMENT OF THE ACTION

Monastyrski- 6, Kizevalter- 1, Romashko- 1, Elagina- 1, Panitkov- 1, Jurno.

60. A CALL TO GERMANY

Elagina- 4, Kizevalter- 2, Romashko- 1,5, Kozlov.

61. HANGARS IN THE NORTH-WEST

Monastyrski- 6, Kizevalter- 1.

62. THE ROSETTE

Monastyrski- 4, Haensgen- 2.

63. MEANS OF A SEQUENCE

Monastyrski- 6, Haensgen- 1,5.

64. FOR D. A. PRIGOV

Haensgen- 4, Monastyrski- 2.

65. THE HANDING OVER

Monastyrski- 4, Haensgen- 2.

66. THE OPENING

Monastyrski- 6, Haensgen- 1,5.

67. FOR I. HOLIN

Haensgen- 4, Monastyrski- 2, Makarevich- 0,5, Elagina- 0,5.

68. FOR STEFFEN ANDRAE

Monastyrski- 6, Haensgen- 1,5.

69. FOR I. KABAKOV

Monastyrski- 6, Haensgen- 1,5.

70. THE TENTH NOTEBOOK

Monastyrski- 4, Haensgen- 2, Romashko- 1,5

71. ALBUM FOR TRAVELLING NOTES AND SKETCHES

Haensgen- 4, Monastyrski- 2.

72. LAUNCHING A KITE IN PRORA

Haensgen- 4, Monastyrski- 2.

73. ON THE HILL

Panitkov- 4, Haensgen- 2, Monastyrski- 2.

74. THE CANS

Panitkov- 4, Monastyrski- 2.

75. SLOGAN–90

Haensgen- 4, Monastyrski- 2.

76. ARCHAEOLOGY OF LIGHT

Monastyrski- 6, Panitkov- 1,5, Haensgen- 1.

77. THE NEGATIVES

Monastyrski- 6, Romashko- 1,5, Makarevich- 1,5, Alekseev- 1, Elagina- 1, Panitkov- 1, Haensgen- 0,5.

78. FOR M. RYKLIN (The Slogan–96)

Monastyrski- 6, Romashko- 1,5, Makarevich- 1,5, Elagina- 1,5, Panitkov- 1, Kizevalter- 1.

79. LIKHOBORKA

Monastyrski- 6, Romashko- 1,5, Panitkov- 1, Elagina- 1, Makarevich- 0,5, Alekseev- 0,5.

80. PARTICIPANTS’ STORIES

Monastyrski- 6, Romashko- 1,5, Elagina- 1,5, Makarevich- 1, Panitkov- 0,5, Haensgen- 0,5.

81. THE LIBRARY

Monastyrski- 6, Panitkov- 1,5, Makarevich- 1,5, Elagina- 1, Romashko- 1,5, Alekseev- 1, Haensgen- 1,5.

82. LOCATIONS No 40 AND 41

Monastyrski- 6, Romashko- 1,5.

83. THE TUBE

Panitkov- 6, Monastyrski- 1,5, Elagina- 1, Alekseev- 0,5, Kizevalter- 0,5.

84. THE CROSSING

Monastyrski- 6, Panitkov- 1.

85. SHWEDAGON FOR THE PERFORMANCE «PLACE OF ACTION»

Monastyrski- 6, Elagina- 1,5, Panitkov- 1, Makarevich- 1, Romashko- 0,5, Haensgen- 0,5, М.К.

86. TRANSCENDENCE

Monastyrski- 6, Romashko- 1,5, Haensgen- 1, Panitkov- 0,5.

87. FISHERMAN

Monastyrski- 6, Panitkov- 1,5, Romashko- 1, Elagina- 1, МК, Makarevich- 0,5.

88. RED NUMBERS

Monastyrski- 4, Haensgen- 2.

89. THE SECOND SPEECH

Alekseev- 6, Monastyrski- 1,5, Panitkov- 0,5, Romashko- 0,5, Elagina- 1, Makarevich- 0,5.

90. GARAGES

Monastyrski- 6, Panitkov- 1, Romashko- 0,5, Alekseev- 0,5, Makarevich- 0,5, Elagina- 0,5

91. «625 - 520»

Monastyrski- 6, Panitkov- 1,5, Romashko- 1,5, Haensgen- 1,5, Makarevich- 1, Elagina- 0,5.

92. «6 2 5 - 5 2 0» IN BERLIN

С. Haensgen, - 4 С. Romashko, - 1,5 Н. Panitkov, - 1,5 А. Monastyrski – 2

93. THE SACK

А. Monastyrski, - 6, Н. Panitkov – 1,5 , И. Makarevich - 1, Е. Elagina -,1,5 С. Romashko- 0,5, С. Haensgen – 0,5

94. “83”

А. Monastyrski, - 6, Н. Panitkov – 1,, С. Romashko - 1, Е. Elagina - 1, И. Makarevich-1.

95. ADVENTURES OF THE BLIND

Н. Panitkov - 4, А. Monastyrski -2, С. Romashko-1,5, Е. Elagina-1,5 , И. Makarevich- 1,5, С. Haensgen. – 0,5

96. «51»

А. Monastyrski - 6, Н. Panitkov – 1,5, С. Romashko -1.5, И. Makarevich - 1, Е. Elagina – 1,5, С. Haensgen (видеозапись «Археологии света») – 0,5, Novgorodova

97. ON A CLEARING

А. Monastyrski - 6, Н. Panitkov – 1,5, Е. Elagina – 1,5, И. Makarevich - 1, С. Romashko -1, М. К, Novgorodova.

98. ACTION WITH CLOCKS

А. Monastyrski - 6, Н. Panitkov – 1,5, Е. Elagina - 1, С. Romashko -1,5, И. Makarevich -0,5, С. Haensgen – 0,5, М. К., Novgorodova.

99. SLOGAN - 2003

А. Monastyrski - 6, Н. Panitkov – 0,5, Е. Elagina – 0,5, С. Romashko -0,5, И. Makarevich -0,5, С. Haensgen – 0,5, М. К – 1,5., Novgorodova.

100. VILLAGES

А. Monastyrski - 6, Н. Panitkov -1,5, Е. Elagina - 1, С. Romashko -1, И. Makarevich -0,5, М. Константинова, Novgorodova, Sitar, Ovchinnikova.

101. FLIGHT TO SATURN

А. Monastyrski - 6, Е, Elagina – 1,5, Н. Panitkov -1, И. Makarevich -0,5, С. Romashko -1, Novgorodova, М. К.

102. WALL NEWSPAPER

А. Monastyrski - 6, Н. Panitkov - 1, Е. Elagina -1,5, И. Makarevich - 1, Novgorodova.

103. MURANOVO – SAFARINO

А. Monastyrski - 6, Н. Panitkov – 1,5, С. Romashko - 1,Sumnina, Novgorodova.

104. FLIGHTS TO THE MOON

А. Monastyrski - 6, Н. Panitkov – 0,5, С. Romashko – 1, Е. Elagina – 0,5, И. Makarevich – 0,5.

105. SLOGAN-2005

А. Monastyrski - 6, Н. Panitkov - 1, С. Romashko – 0,5, С. Haensgen – 0,5, Novgorodova.

106. LIBRARY - 2005

А. Monastyrski - 6, Е. Elagina - 1, Н. Panitkov – 1,5, И. Makarevich - 1, С. Haensgen -0,5, Novgorodova.

107. THE SUITCASE

А. Monastyrski - 4, Н. Panitkov - 2, И. Makarevich – 1,5, Е. Elagina – 0,5, С. Haensgen – 0,5, С. Romashko -0,5, Zagny.

108. “К

А. Monastyrski - 6, Н. Panitkov -1,5, Novgorodova, С. Romashko - 1, Sumnina.

109. ROPE

А. Monastyrski – 4, Н. Panitkov – 2, Е. Elagina – 1,5, С. Haensgen – 1, И. Makarevich – 1.

110. THE WHIPPING OF THE YAUZA – 333 STROKES

Alekseev – 4, AM – 2, NP – 0,5, IM – 0,5, ЕЕ – 0,5, SR – 0,5.

111. LIBRARY - 2 0 0 7

AM – 6, NP – 1,5, SR – 1, ЕЕ – 1, IM – 0,5, SH – 0,5.

112. EMPTY ACTION

AM – 6, NP – 1, IM – 0,5, ЕЕ – 0,5, SR – 0,5

113. INTERSECTION – 2

AM – 6, IM – 1,5, ЕЕ – 1,5, SR – 0,5, Leiderman.

114. THREE MEGAPHONES FOR KAPITON

AM – 6, ЕЕ – 0,5, IM – 0,5, Leiderman, Zaharov.

115. FAILED SLOGAN 1978–2008

AM – 6, NA – 1,5, GK – 1.

116. THE GARBAGE TRUCK

AM – 6, SR – 1,5.

117. EMPTY DISTANCES

AM – 6.

118. «118»

AM – 6, S. Letov.

119. INTERSECTION – 3

AM – 6, Malishkin.

120. BARREL 120

Monastyrski- 6, Kulik, Malishkin.

121. TRACTOR-PIZDETS

Monastyrski- 6, Panitkov- 1,5, Romashko- 1, Elagina- 1, Makarevich- 1.

122. K-2

Monastyrski- 6, Panitkov- 0,5, Makarevich- 0,5, Elagina- 0,5, Haensgen- 0,5.

123. PANITKOV’s PROGRESS

Monastyrski- 6, Panitkov- 1,5, Elagina- 1,5, Makarevich- 1,5, Haensgen- 0,5.

124. DECORATION-2010

Monastyrski- 6, Haensgen- 0,5, Elagina- 0,5, Makarevich- 0,5, Romashko- 0,5.

125. INSTALLATION BY AUERBAKH

Monastyrski- 6, Panitkov- 1,5.

The presence and participation of CA members in actions (quantity):

Monastyrski- 118 actions, Panitkov- 81 actions, Alekseev- 34 actions,

Makarevich- 65 actions, Elagina-64 actions, Kizevalter- 45 actions,

Romashko- 63 actions, Haensgen- 40 actions.

TOTAL INDICES (rankings)

AM - 85 actions- at 6

13 actions- at 4

17 actions- at 2

4 actions- at 1,5

1 actions- at 1

2 actions- at 0,5

Total index: 604

NP - 5 actions- at 6

9 actions- at 4

3 actions- at 2

34 actions- at 1,5

18 actions- at 1

14 actions- at 0,5

Total index: 144

NA - 3 actions- at 6

14 actions- at 1,5

8 actions- at 1

9 actions- at 0,5

Total index: 51,5

IM - 2 actions- at 4

1 actions- at 2

14 actions- at 1,5

18 actions- at 1

30 actions- at 0,5

Total index: 64,5

EE - 1 actions- at 4

2 actions- at 2

19 actions- at 1,5

21 actions- at 1

20 actions- at 0,5

Total index: 68

GK - 2 actions- at 2

9 actions- at 1,5

14 actions- at 1

21 actions- at 0,5

Total index: 42

SR - 25 actions- at 1,5

21 actions- at 1

17 actions- at 0,5

Total index: 67

SH - 8 actions- at 4

5 actions- at 2

10 actions- at 1,5

7 actions- at 1

15 actions- at 0,5

Total index: 71,5

________________________________________________

TOTAL INDEX OF COLLECTIVE ACTIONS GROUP (100%): 1112,5

Composed 28.10.97 NP&AM, Supplemented 14. 3. 98; 11. 7. 98; 2. 4. 99; 24. 8.99; 20.1.2001;

21.3.2001; 13.6.2007; 24.4.2009; 18.2. 2011.

COMMENTARY ON CA INDICES

Index of 0,5 - a) meeting the audience
b) documentary photography of action by member of the CA
a) writing descriptive texts (usually not counted)
d) invitation of the audience (usually not counted)
d) purchasing of items for action (for example: coping the letters in Germany by SH for "Participant’ Stories" etc.)
e) a critical part in the discussion of the action (for example: NP in “Participant’ Stories" etc.)
g) collection and processing of stories of participants (usually not counted)
h) Providing a dacha, studio or apartment for actions (for example: NP’s dacha, IM’s studio, apartments of NA and AM, etc.), as well as participation in the financing of technical needs of actions.
i) general assistance in actions


Index of 1 - a) extra effort (compared to 0.5) in the preparation and realization of actions (for example: SR’s trip to the field during the preparation of "Ten Appearances» 2 weeks prior to the action, etc.)
b) minora participation in the plot (such as GK in "Shots")
c) participation in the discussion of the action plan (for example: NP in "Shwedagon for the Performance “Scene of Action"”, etc.)

Index of 1,5 - a) participation in the plot (such as NA in "Appearance", NP in“Comedy”, SH and SR in "Translation", etc.)
b) active participation in the discussion of the action plan (for example: NA in "Balloon", etc.)
c) making the most important action items (for example: writing slogans, NA, IM, EE, GK etc.)
d) A special photograph (for example: IM in "Place of the action" and "The score", GK in "The Barrel", etc.)
d) purchasing of important items for an action (for example: NP – the pitch and the foil for "The Library", SH - bringing alarms from Germany for "The Library", etc.)
e) organization and management of an action (audience, etc.) on the field (usually not counted)


Note: 1) The calculations for each action take into account only the highest index of each participant.
2) The context of the indices (the relative intensity of the organizers) in each particular action is also considered.

TO A.M.'S RANKINGS

4 - 10 points (not including volume 6):

  1. Appearance - Rubinshtein suggested the element of the «Certificate of presence» (factography).
  2. Slogan-77 - V. Khlebnikova suggested the white letters on red background (I wanted to use red letters of a white background at first).
  3. Comedy - I asked V.M.: «So two people have come out onto the field. Then one of them dissapears right on the field without going anywhere. How can this be done?» She suggested the element of the hole behind.
  4. The Third Variant – I asked V.M.: «How can we make we make the second person headless?» She suggested the element of the balloon.
  5. M - N.P. suggested the element of the «Wings.»
  6. Work of Art - Painting – I.M. suggested the element of the «Painting.»
  7. For Makarevich (5 points) - G.K. suggested the element of the «Meteorite» (as an illustration to the action's subtitle).
  8. The Red Numbers – general idea and place of action – S.H.
  9. The Suitcase– N.P. suggested the sound recording «On Prospekt Mira»
  10. ROPE– I suggested two actions and N.P. brought them together into one

2 - 13 points (not including volume 6):

  1. Representation of a Rhombus - Romashko suggested the element of the tape recorder playing in the field.
  2. The Shot - AM suggested the auditory part of the action (the element of the “Sound triangle”).
  3. The Winch - AM suggested adding the I Ching element of the action (6 fishing lines; N.P. was suggesting 10) and the element of the «score» (factography).
  4. To Press on the Rotten Spots in the Golden Nimbus - AM suggested the title of the action and the making of the volume as a part of the action.
  5. For Elagina - AM suggested the structural working out of the plot.
  6. For Romasko - AM suggested the structural working out of the plot.
  7. Translation of the Audience - AM suggested the element of «translation» (the title and the movement of the viewers).
  8. On the Hill - AM suggested the element of «throwing down the cardboard cards».
  9. Cans - AM suggested the structure of the concluding part of the action.
  10. 10. Slogan-90– AM suggested the structural working out of the action.
  11. 11. 625 – 520 in Berlin – structural working out of the action.
  12. 12. Adventures of a Blind Man– structural working out of the action
  13. 13. The Whipping of the Yauza – AM suggested a restaging (variation) of his action Seven Blows to the Water using a fishing rod and introduced the element of the boxes in the water.

Translated by Yelena Kalinski


KOLLEKTIVNYE DEYSTVIYA (COLLECTIVE ACTIONS). THE DESCRIPTIONS OF ALL THE ACTIONS, Photo and Video

BOCHUM ACTIONS [KD] | KD' MAPS (in Russian) | ADDITIONAL KD' MAPS (in Russian)

KD' PHONOGRAMS in mp3

ANDREI MONASTYRSKI. ACTION OBJECTS | ANDREI MONASTYRSKI. TEXTS AND COMMENTS | INSTALLATIONS

MOSCOW CONCEPTUALISM

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