Margarita Tupitsyn

Books and Catalogues

• Margarita Tupitsyn, Moscow Vanguard Art 1922-1992, Yale University Press, 2017
• Margarita Tupitsyn and Victor Tupitsyn, Anti-Shows: APTART 1982–84, Exhibition Histories Vol. 8, Afterall Books, 2017
• Margarita Tupitsyn and Victor Tupitsyn, Moscow Partisan Conceptualism: Irina Nakhova and Pavel Pepperstein, Orel Art UK, London 2010.
• Margarita Tupitsyn and Victor Tupitsyn, Москва – Нью - Йорк , Москва: WAM, 2006.
• Margarita Tupitsyn and Victor Tupitsyn, Verbal Photography: Ilya Kabakov, Boris Mikhailov, and the Moscow Archive of New Art, MuseuSerralves and Idea Books, 2004.
• Margarita Tupitsyn, Malevich and Film, Yale University Press, 2002.
• Margarita Tupitsyn, Kriticheskoe Opticheskoe, Ad Marginem, Moscow, 1997
• Margarita Tupitsyn, Margins of Soviet Art: Socialist Realism to the Present, Giancarlo Politi Editore, 1989, English and Italian editions.
• Margarita Tupitsyn and Victor Tupitsyn, Flash Art, Russian Edition, Giancarlo Politi Editore, 1989.
• Margarita Tupitsyn, Sots Art , The New Museum of Contemporary Art, New York, 1986.
• Margarita Tupitsyn and Victor Tupitsyn, Apt Art: Moscow Vanguard in the ‘80s, Washington Project for the Arts, Washington D.C., 1984.
• Margarita Tupitsyn, Russian New Wave, Contemporary Russian Art Center of America, New York, 1981.

Essays

• Margarita Tupitsyn Looks Back: Thoughts on Global Conceptualism - at moma.org
• Margarita Tupitsyn, An Empty Action is Not for a Movie Camera: "The Balloon" by Collective Actions Group - at moma.org
• Margarita Tupitsyn, Andrei Molodkin, Artforum,
• Margarita Tupitsyn, "Andrei Monastyrsky," Artforum, February 2011, pp. 247-248.
• Margarita Tupitsyn, “The Grid as a Checkpoint of Modernity,” Tate Papers, Issue 12, Fall 2009
• Margarita Tupitsyn, “Shaping the Social,” Artforum, March 2008: 334-337.
• Margarita Tupitsyn and Victor Tupitsyn, “Dialogue: Two by Three,” in Ilya/Emilia Kabakov, Alternative History of Art: Rosenthal, Kabakov, Spivak, Museum of Contemporary Art, Cleveland and Kerber, 2005: 204-210.
• Margarita Tupitsyn, “Art and Soviet Objecthood,” Bookforum, February/March, 2005: 21-22.
• Margarita Tupitsyn, “Moscow: On the Ruins of the Third Museum, Third Text, Special Issue: Post-Soviet Russia, ed. Victor Tupitsyn, no.65, volume 17, issue 4, December 2003: 379-388.
• Margarita Tupitsyn, “Descending onto Red,” in Boris Mikhailov: A Retrospective, Fotomuseum Winterthur, Zurich and Scalo Verlag, 2003: 42-44.
• Margarita Tupitsyn and Victor Tupitsyn, “About Installation,” Conversation with Ilya Kabakov, Art Journal, Winter 1999: 62-73.
• Margarita Tupitsyn, “About Early Soviet Conceptualism,” in Global Conceptualism: Points of Origin 1950s-1980s, Queens Museum of Art, 1999.
• Margarita Tupitsyn, “Photography as a Remedy for Stammering,” in Boris Mikhailov: Unfinished Dissertation, Scalo, 1998. English and German edition.
• Margarita Tupitsyn, “Gedanken und Erinnerungen an Soz Art,” in Eduard Gorokhovski: Gluck ist die Realitat der Utopie, Museum Judengasse, Frankfurt am Main, 1997, pp. 14-21.
• Margarita Tupitsyn, “On Some Sources of Soviet Conceptualism,” in Nonconformist Art: The Soviet Experience, Thames and Hudson, 1995, pp. 303-331.
• Margarita Tupitsyn,"Shaping Soviet Art," Art in America, September 1994, pp. 41-45.
• Margarita Tupitsyn,"Against the Camera, For the Photographic Archive," Art Journal, Vol. 53, no.2, Summer 1994, pp. 58-62.
• Margarita Tupitsyn, “After Perestroika: Kitchenmaids or Stateswomen," Below Papers, Jahrgang 1994 no. 4, pp. 306-311.
• Margarita Tupitsyn, “A Journey From St. Petersburg to Moscow," in Self-Identification: Positions in St. Petersburg Art From 1970 Until Today," Stadtgalerie im Sophienhof, Kiel 1994, pp.125-133.
• Margarita Tupitsyn, “Andrei Monastyrsky and Conrad Atkinson,” Contemporanea, (no. 24), January 1991.
• Margarita Tupitsyn, ”Playing the Games of Difference” in Artistas Russos Contemporaneos, Auditorio de Galicia, Sala de Exposicions, Santiago de Compostela, 1991, pp.37-51.
• Margarita Tupitsyn, “Eric Bulatov and Oleg Vassilyev: A Conversation with Margarita and Victor Tupitsyn,” in Eric Bulatov and Oleg Vassilyev, Phyllis Kind Gallery, New York, 1991.
• Margarita Tupitsyn, “Unveiling Feminism: Women's Art in the Soviet Union,” Arts Magazine, December 1990, pp. 63-67. Reprinted in A Chicken is No Bird, Picaron Editions/CIRC, Amsterdam/Moscow, 1991, pp. 33-41.
• Margarita Tupitsyn, “The Color Green Caresses the Eye,” The Green Show, Exit Art, New York, 1990, curator Margarita Tupitsyn.
• Margarita Tupitsyn, “The Work of Art in the Age of Perestroika,” Arts Magazine, International Directory of Exhibition Catalogues, Volume 65 No.11, 1991-92, pp. 23-25.
• Margarita Tupitsyn, “The (Dead)End of Furmanny Lane,” in Erosion, Amos Anderson Museum, Helsinki, 1990, pp. 30-37.
• Margarita Tupitsyn, “U-Turn of the U-Topian,” in Between Spring and Summer: Soviet Conceptual Art in the Era of Late Communism, the MIT Press, 1990, pp. 35-51.
• Margarita Tupitsyn, “Timur and Afrika,” Flash Art, no. 151, March/April 1990.
• Margarita Tupitsyn, “Ilya Kabakov and his School,” Atelier, October 1990, pp.38-41. (in Japanese)
• Margarita Tupitsyn, The Work of Art in the Age of Perestroika, Arts
• Margarita Tupitsyn, “Six Months in Moscow: A Conversation Between Victor and Margarita Tupitsyn,” Flash Art, no. 148, October 1989.
• Margarita Tupitsyn, “Veil on Photo: Metamorphoses of Supplementarity in Soviet Art,” Arts Magazine, November 1989, pp. 79-84.
• Margarita Tupitsyn, “Sots Art: Round Dance or Ritual,” Social Text, no. 22, Spring 1989.
• Margarita Tupitsyn, “The Variants of Grid,” in Ivan Chujkov, Westfalischer Kunstverein Munster, 1989.
• Margarita Tupitsyn, “Leonid Sokov/Glasnost,” New Art Examiner, January 1988.
• Margarita Tupitsyn, “Back in the USSR,” Flash Art, no. 141, Summer 1988.
• Margarita Tupitsyn, “Ilya Kabakov,” Flash Art, no.142, October 1988.
• Margarita Tupitsyn, “The Studios on Furmanny Lane in Moscow,” Flash Art, no. 142, October 1988.
• Margarita Tupitsyn, “Sots Art: Russian Deconstructive Force,” in Sots Art, The New Museum of Contemporary Art, New York, 1986, pp.4-15. Reprinted in Le Cahiers du Musee National d'Art Moderne, no.26, Fall 1988, 60-72.
• Margarita Tupitsyn, “From Sots Art to Sovart,” Flash Art, no. 137, November-December 1987.
• Margarita Tupitsyn, “Russian Samizdat Art,” The Print Collector's Newsletter, vol. XVIII, no.3 July-August 1987.
• Margarita Tupitsyn, “Ilya Kabakov,” Flash Art, no. 126, February-March 1986.
• Margarita Tupitsyn, “Aleksandr Kosolapov,” Flash Art, no. 126, February-March 1986, pp. 43-44.
• Margarita Tupitsyn, “Leonid Sokov,” Flash Art 123, Summer 1985.
• Margarita Tupitsyn, “The Red Guardians of the Tradition: The Performances of Russian Émigré Artists Komar and Melamid,” High Performance, vol. 7, no. 4, 1984.
• Margarita Tupitsyn, “Vodka and Modernism,” High Performance, vol. 7, no. 2, 1984.
• Margarita Tupitsyn, “Some Russian Performances,” High Performance, vol. 4, no. 4, Winter 1981-82.
• Margarita Tupitsyn, “Two Generations of Nonconformists,” Nonconformists, Art Gallery, University of Maryland, College Park, 1980
• Margarita Tupitsyn, BECOMING KABAKOV. Art in America MAGAZINE JAN. 02, 2014

 

MOSCOW CONCEPTUALISM