For Kazimir Malevitch’s “Black Square” defloration,
Marseille Duchamp’s “Fountain” scrubbing and “Big Glass” cleaning.
For sweeping all the trash out of the Contemporary Art Museum.
The Wire Brush could serve as a weathercock to know which way the wind blows and to choice the right art strategy as well as to roughen disagreeable art-critic ass
Made in Moscow 1999, November
Best before the End of Modern Art
Production of TOTART
Project “The quick and the Dead”. “Escape” gallery
Material: Wire brush for W.C. Pan cleaning, podium, text, coat-hanger